When I was small I used to play with a music box at my granny’s house. It was a little Swiss Chalet which played ‘Limelight’. I didn’t know what ‘Limelight’ was but I liked the name and the tune. I must have driven her mad, listening to the music over and over again. My granny died when I was 15 and I presumed that the music box was given to my cousin who was 4 at the time. A few years ago I went to see a film about Charlie Chaplin and was delighted that the theme tune running throughout the film was ‘Limelight’. I knew that he finally settled in Switzerland and presumed that was why the music box was in the form of a chalet.
At the end of the summer I was preparing a postcard of a Swiss Chalet for sale and it reminded me of that little music box so I emailed to my cousin who didn’t remember the music box at all. My aunt put a note in my birthday card a few weeks later explaining that when my step-granny’s first husband died she went to Switzerland for a holiday and bought the little chalet back as a present for my granny (they were next door neighbours). When she married my grandfather we presume that the music box went back to her.
Last night Limelight was on TV. A lovely film made in the 1950s with Charlie Chaplin and a very young Claire Bloom.
Tuesday, December 29, 2009
Thursday, December 24, 2009
Tuesday, December 22, 2009
On to the next burst !
Christian, my eldest son who lives in England, has just been on the phone. For the last few years he’s been working for Abbey National and doing very nicely thank you. I don’t understand really what he does as banking has changed a lot in the last 25 years since I left Barclays. Recently he went for a new job with them. As you know, they are changing names and all that kind of stuff. They needed someone to be in charge of IT for the change over to make sure everything runs smoothly. The job is for a year and will be based at Milton Keynes. Well Christian found out today he’s got the job. They will even pay his hotel if he needs it. I don’t really understand what his job will be but it is very good news indeed. He’s really, really pleased to have got it and so am I. I wonder what will happen next?
Wednesday, December 9, 2009
If I don’t tell someone I’ll burst.
Dom phoned a few minutes ago, she’s been talking with her main professor (I don’t know what you would call him in English). If her project continues as it is and if she gets the right results, he’d like her to accompany him to Chicago next summer to present her work at a conference. She’s only a 4th year student! She tells me she worries about not being good enough and there are so many things she doesn’t know. They wouldn’t want her to go off to the states if they didn’t think she was good enough.
As you can imagine I’m bursting with pride, I’ve already put in an order for my copy of the Chicago Sun Times.
As you can imagine I’m bursting with pride, I’ve already put in an order for my copy of the Chicago Sun Times.
Wednesday, November 25, 2009
The downside of my job
(You might prefer not to read this post)
On the whole I love deltiology, discovering new (old) places history, art and tradition. Occasionally I’m shocked by what I see. Usually scenes from the first world war. Today I picked up a postcard dated 1908 of a handsome young man from Ethiopia, a Gallas. I was expecting to see the name of his country on the card. No, he was a resident of the Jardin d'acclimatation in Paris. Today more or less a Children’s amusement park, in the past a zoo. I discovered that humans were exhibited there from the late 1800s. Up until 1930 (this is not mentioned on the English Wikipedia page by the way) visitors could throw coins into a pool in their enclosure so that they would dive into the water to retrieve the money.
As with most older photographs, fine details are very much in focus, especially his eyes.
The park does not have a happy history, all of the animals were used to feed Parisians during the siege of 1870…..
On the whole I love deltiology, discovering new (old) places history, art and tradition. Occasionally I’m shocked by what I see. Usually scenes from the first world war. Today I picked up a postcard dated 1908 of a handsome young man from Ethiopia, a Gallas. I was expecting to see the name of his country on the card. No, he was a resident of the Jardin d'acclimatation in Paris. Today more or less a Children’s amusement park, in the past a zoo. I discovered that humans were exhibited there from the late 1800s. Up until 1930 (this is not mentioned on the English Wikipedia page by the way) visitors could throw coins into a pool in their enclosure so that they would dive into the water to retrieve the money.
As with most older photographs, fine details are very much in focus, especially his eyes.
The park does not have a happy history, all of the animals were used to feed Parisians during the siege of 1870…..
Tuesday, November 24, 2009
Oulipo
Or OuLiPo if you want to be pedantic. Was a gathering of French speaking writers founded in 1960. Radio 4 had a program about them last week. The idea is that you impose constraints on your writing which provides inspiration for new ideas. That’s what I understand anyway. I rather like the idea of a lipogram, that is to say, trying to write a paragraph, essay, poem or even a book omitting the use of a letter. How about ‘e’? Looks like a good excuse to pick the synonym finder up from the floor and start rooting for new words…
I’ll try to dash off a chain of words without using ‘e’s. Not bad so far, but now I’m short of inspiration, I want aid in this almighty task… My synonym book is so commodious for this work. How long, I ask my mind can I carry on, until I go mad…..aaaaghhhhh.
Now it’s your turn (I did it again [and again])
I’ll try to dash off a chain of words without using ‘e’s. Not bad so far, but now I’m short of inspiration, I want aid in this almighty task… My synonym book is so commodious for this work. How long, I ask my mind can I carry on, until I go mad…..aaaaghhhhh.
Now it’s your turn (I did it again [and again])
Sunday, November 15, 2009
Do you remember?
'Tarantella'
Do you remember an Inn,
Miranda?
Do you remember an Inn?
And the tedding and the spreading
Of the straw for a bedding,
And the fleas that tease in the High Pyrenees,
And the wine that tasted of the tar?
And the cheers and the jeers of the young muleteers
(Under the vine of the dark veranda)?
Do you remember an Inn, Miranda,
Do you remember an Inn?
And the cheers and the jeers of the young muleteers
Who hadn't got a penny,
And who weren't paying any,
And the hammer at the doors and the Din?
And the Hip! Hop! Hap!
Of the clap
Of the hands to the twirl and the swirl
Of the girl gone chancing,
Glancing,
Dancing,
Backing and advancing,
Snapping of a clapper to the spin
Out and in ---
And the Ting, Tong, Tang, of the Guitar.
Do you remember an Inn,
Miranda?
Do you remember an Inn?
Never more;
Miranda,
Never more.
Only the high peaks hoar:
And Aragon a torrent at the door.
No sound
In the walls of the Halls where falls
The tread
Of the feet of the dead to the ground
No sound:
But the boom
Of the far Waterfall like Doom.
Hilaire Belloc
When I was in my early teens we had our Deputy Headmistress for English for the school year. She was a very strict woman and we were determined to dislike her, as with anyone in authority at the age we were.
Every lesson during the week was different and she had a very up to date way of teaching considering her age (probably in her late fifties). I remember that we worked on punctuation at our own speed using algorithms. The we had one lesson in the library where we were just expected to read whatever we liked. One of the books we read as a class was ‘A Kid for Two Farthings’ by Wolf Mankowitz (I’ve just discovered that he adapted the novel and there was a film made in 1955). We actually acted out the fight scene in class. Having taught myself, I know how quickly a class can get out of hand. We were noisy – it was a noisy scene, but she never lost control of us.
Every year the school held some sort of event in order to show us off to our parents. That year she chose us to recite Hilaire Belloc’s poem, 'Tarantella'. She explained to us that she had been taking part in choral speaking (I’m not sure if that is the name for it really), which she wanted to try with us and that she would divide us into groups depending on our voices; light, dark or medium. I think that I might have been a ‘light’. The boy with the deepest voice was to open the poem by reciting the first two lines alone.
The night of the recital I had to move around the stage quite a bit. I played ‘cello in the school orchestra, I was in the choir (extracts from Joseph’s Amazing Technicolor Dreamcoat) and I had to recite one of my own poems about Conkers, which I wasn’t too happy about as I didn’t really want to go down in history as The Girl Who Wrote a Poem About Conkers. Then I joined my class for the big poem. I suppose it was a success. I only really remember how much I enjoyed the poem.
If you’re old enough and from the US you might remember two English School ma’ams being interviewed on your local radio station. It was our Headmistress and her companion, who set off to explore the Wild West one summer in the late 60s….
Do you remember an Inn,
Miranda?
Do you remember an Inn?
And the tedding and the spreading
Of the straw for a bedding,
And the fleas that tease in the High Pyrenees,
And the wine that tasted of the tar?
And the cheers and the jeers of the young muleteers
(Under the vine of the dark veranda)?
Do you remember an Inn, Miranda,
Do you remember an Inn?
And the cheers and the jeers of the young muleteers
Who hadn't got a penny,
And who weren't paying any,
And the hammer at the doors and the Din?
And the Hip! Hop! Hap!
Of the clap
Of the hands to the twirl and the swirl
Of the girl gone chancing,
Glancing,
Dancing,
Backing and advancing,
Snapping of a clapper to the spin
Out and in ---
And the Ting, Tong, Tang, of the Guitar.
Do you remember an Inn,
Miranda?
Do you remember an Inn?
Never more;
Miranda,
Never more.
Only the high peaks hoar:
And Aragon a torrent at the door.
No sound
In the walls of the Halls where falls
The tread
Of the feet of the dead to the ground
No sound:
But the boom
Of the far Waterfall like Doom.
Hilaire Belloc
When I was in my early teens we had our Deputy Headmistress for English for the school year. She was a very strict woman and we were determined to dislike her, as with anyone in authority at the age we were.
Every lesson during the week was different and she had a very up to date way of teaching considering her age (probably in her late fifties). I remember that we worked on punctuation at our own speed using algorithms. The we had one lesson in the library where we were just expected to read whatever we liked. One of the books we read as a class was ‘A Kid for Two Farthings’ by Wolf Mankowitz (I’ve just discovered that he adapted the novel and there was a film made in 1955). We actually acted out the fight scene in class. Having taught myself, I know how quickly a class can get out of hand. We were noisy – it was a noisy scene, but she never lost control of us.
Every year the school held some sort of event in order to show us off to our parents. That year she chose us to recite Hilaire Belloc’s poem, 'Tarantella'. She explained to us that she had been taking part in choral speaking (I’m not sure if that is the name for it really), which she wanted to try with us and that she would divide us into groups depending on our voices; light, dark or medium. I think that I might have been a ‘light’. The boy with the deepest voice was to open the poem by reciting the first two lines alone.
The night of the recital I had to move around the stage quite a bit. I played ‘cello in the school orchestra, I was in the choir (extracts from Joseph’s Amazing Technicolor Dreamcoat) and I had to recite one of my own poems about Conkers, which I wasn’t too happy about as I didn’t really want to go down in history as The Girl Who Wrote a Poem About Conkers. Then I joined my class for the big poem. I suppose it was a success. I only really remember how much I enjoyed the poem.
If you’re old enough and from the US you might remember two English School ma’ams being interviewed on your local radio station. It was our Headmistress and her companion, who set off to explore the Wild West one summer in the late 60s….
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